Huawei’s latest PR blunder began when it shared the following photo on Google+ with this text:

We managed to catch a beautiful sunrise with Deliciously Ella. The #HuaweiP9’s dual Leica cameras makes taking photos in low light conditions like this a pleasure. Reinvent smartphone photography and share your sunrise pictures with us. #OO

The photo was too much for tech blog Android Police, who found the photo to be “suspiciously noiseless and crisp” to have been taken with an average camera phone. Unfortunately for Huawei, the Google+ photo-sharing platform allows users to view a photograph’s EXIF data that includes the device the photo was taken on.

As Android Police reported, the “Deliciously Ella” photograph published by Huawei was not taken with a Huawei P9 smartphone. Rather, it was taken with a Canon EOS 5D Mark III and a lens totaling $4,500 – a far cry from the Huawei P9’s $690 retail cost.

Huawei has since removed the photo from their social media accounts, and issued the following statement:

It has recently been highlighted that an image posted to our social channels was not shot on the Huawei P9. The photo, which was professionally taken while filming a Huawei P9 advert, was shared to inspire our community. We recognise though that we should have been clearer with the captions for this image. It was never our intention to mislead. We apologise for this and we have removed the image.

This isn’t the first time Huawei has defamed its own public image.

In June of last year, Huawei had a spectacular PR meltdown when it cancelled a tour of reporters at its Shanghai headquarters minutes after it began when a question regarding espionage was raised. When a reporter said they were invited by Huawei to attend the tour, a Huawei PR spokesperson bluntly answered, “We didn’t invite you. It was the government that invited you and now you should leave.”

Even the Chinese public has little respect for Huawei’s marketing techniques. The first thought many Chinese netizens had following a spectacular car crash this past spring was that Huawei had made another bad marketing choice.

[h/t reddit]

The post Busted: Huawei Camera Phone Ad Shot With Another Company’s Camera appeared first on The Nanfang.

Due in large part to the influx of Chinese tourists, the economy of the nearby town of Sea Lake has experienced a reversal of fortune. According to a Xinhua report, the motel rooms of the town of 600 people are routinely booked solid, helping the local economy at a time when farmers have been hit hard by a two-year drought.

The lack of rain is part of the reason Chinese tourists are drawn to the shallow salt lake. With no clouds or light pollution, visitors to Lake Tyrrell have the opportunity to glimpse the spectacular night sky.

Alice Lee from Hong Kong said the scenery of Sea Lake is unlike anywhere else in the world. “I see the beauty of the scenes and the different changes in the skies, the clouds and over the sun,” said Lee. “That’s why we want to go.”

For a time elapsed video that shows just how spectacular the night sky is over Lake Tyrrell, click here.

The post Remote Australian Town Saved by Chinese Tourism appeared first on The Nanfang.

The tape gained notoriety in only 12 hours, and resulted in a line up at the door when the store opened in the morning.

In what could be considered a futile effort to control the situation, UNIQLO prohibited people from taking pictures inside the store, but that didn’t stop scores of Beijingers from taking selfies in front of the Sanlitun spot.

If you haven’t seen the tape, you’re probably too late because it has disappeared from the Chinese internet. Police are investigating the incident, and have warned that broadcasting the video for marketing purposes would be considered illegal because it’s pornographic.

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The people have spoken: in an online poll, Beijing commuters have overwhelming said they want to be able to take photos while on subway trains.

The Beijing Metro directly asked its ridership if it should ban photo-taking in a Weibo post. Nearly 80 percent said taking photos is okay as long as it doesn’t interfere with other passengers. Only eight percent said they were in favor of a ban.

The question over whether photo-taking should be allowed arose when National People’s Congress representative and chairman of the taxation department of the Capital University of Economics and Business Liu Ying took a photograph while on a train. Liu was asked by subway staff to delete the picture, but wasn’t given a clear explanation why. A subway spokesperson said at the time that even though there isn’t a specific rule against it, he should delete it for “safety reasons”.

Even though Beijingers are resolute in their defense of the right to take photos, there’s no word the Beijing Metro will acquiesce to the will of the people. However, the company did remind passengers that taking pictures of others infringes upon their privacy, stopping in the middle of a station just to take a picture interferes with passenger traffic flow and order, and taking pictures of government facilities is prohibited. The implication being if you avoid those things, you’re probably fine.

Several cities around the world have prohibited photo-taking on the subway, including Hong Kong and New York City.

The post Beijingers Stand Up for Their Rights… to Take Photos on the Subway appeared first on The Nanfang.

The elaborate photo shoot shows the couple on a firing range, working as a sniper unit, and on police vehicles.

As Global Times profoundly points out, “Who says tough men can’t be romantic?”

And then there’s this following photograph which neatly subverts Andy Lau’s career-defining 1990 film A Moment of Romance:

Photos: Qpic

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As you browse Taobao you may be curious where their fashion photography comes from. Who exactly are these foreigners modeling for Chinese companies?

Pat Lisa is one of them (pictured above). She hails from Slovakia and is one of the top contract models for a fashion photography company. She’s one on a roster of some 100 foreign models that come from 20 countries including Brazil, Ireland, and Finland. As their top model, Lisa earns about RMB 2,000 a day, reports MSN.

The pictures come from fashion photography firms that are contracted by companies like Maoshan Clothing of Tongxiang, Zhejiang Province. Having grown rapidly, Maoshan is in constant need of models. In 2013, the company sold 60% of China’s woolen garments for RMB 2.3 billion.

Working conditions for a model are not always ideal, however, despite the pay. A model working a single day with photographer Wang Ji may be asked to change clothes more than 200 times.

Here are photos from a recent shoot where Lisa plys her trade:

RMB 2,000 a day is still is not the upper limit to what a model can earn in China. By contrast, male model Chris from Brazil earns RMB 2,000 an hour.

The salaries beat teaching English, that’s for sure.

Related:

• Guangzhou Crackdown on Foreign Models Without Proper Visas
• Brazilian Model Falls to Her Death in Apparent Suicide in Guangzhou
• Photos: Shenzhen Lingerie Supermodel Contest

Photos: MSN

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Nell Chitty is a Toronto-based designer who had just finished her Master of Design degree in Inclusive Design when she took her recent trip to China as a graduation present. She visited her childhood friend who now lives in Dongguan and teaches music at an international school there. “Ultimately, I was a tourist,” she says.

While there, Nell took a select few photographs of a temple in Qifeng Park, one of Dongguan’s best-known attractions that is ranked #4 of things to do in Dongguan by TripAdvisor, that will perhaps give readers a small window into the location. She also documented her visit to Dongguan and other cities in the PRD in her blog The Black Beret In China. Check out all Nell’s photos below (republished with Nell’s consent).

Nell, thanks for chatting with The Nanfang about your time in Dongguan. Would you tell us about your impressions of the Dongguan temple you visited?

I visited one temple in Dongguan. I believe it was in Qifeng Park, but unfortunately I do not remember its name. I have the ticket from admission, but I cannot read the Chinese characters.

I went to the temple for both a cultural experience and to take photographs as my friend said it was very beautiful. The temple was one of the most interesting places I’d been to in Dongguan. I loved the tiled roofs, the traditional architecture, and the signs of use and life it showed. It was my first time visiting a temple outside of North America, as I had been to Buddhist temples in Canada and the United States before. However, this one, as one would expect, was very different.

I found it fascinating how well attending this temple was in comparison to places of worship back home in Canada. The temple and its courtyard had a consistent trickle of people leaving offerings. Everywhere I went, there were people! I thought this was very interesting as I understood that China had gone through a strong anti-religion phase under Mao.

From my own observations living in Canada, I feel that people have largely abandoned organized religion, while holding onto some traditions and absorbing other culture’s spirituality as a form of leisure and person work (yoga, meditation, etc). Thus, I was intrigued to see such devotion at a religious building in a modern city like Dongguan.

As I was unaware of the customs within this setting and I tried to be as respectful as possible: being quiet, not taking photos of the main area of worship, and not taking when people were in my field of view. The temple was both familiar and foreign. It was an interesting sensation being there.

Dongguan has recently been in the news regarding plans to finally complete many ‘ghost’ buildings which were started during the realty boom in the 1990s but never finished. Did you get any sense of this side of the city when you were there?

I didn’t notice the ghost buildings, which is too bad as I would have loved to photograph them! (I did notice ghost buildings in other parts of China though).

As a one-time visitor, how would you describe Dongguan as a whole to people back home, and why should anyone take the time to visit when they have perhaps prioritised other cities in the region such as Shenzhen and Guangzhou above the likes of Dongguan?

People were surprised when I said I was going to Dongguan, but there’s actually a lot to do there! There’s the gardens, the parks, the temple, shops — lots to interest a traveler like me for multiple days.

Dongguan is not a tourist trap yet, which makes it appealing to someone like me who doesn’t like crowds, aggressive merchants, and to feel like they have the words ‘TOURIST!’ in big, bold letters across their forehead. Dongguan was less crowded and quieter than other cities I went to. I feel like I got a good concept of ‘everyday urban life’ there (although this was expat focused).

As an expert in design, what strikes you as some of the biggest differences between traditional Chinese designs as you see at the temple in Dongguan, and the traditional designs in the West? Clearly the architects of China’s past thought very differently to those in Europe and America… Have you given any thought to why that might be?

I am not the best person to answer this question given my very recent introduction to West vs. East architecture, but to speculate on an answer, I’d say it has a lot to do with difference in spirituality, demonstration of power, and how that affects aesthetics.

Feng shui plays an important part in interior and exterior design of a home in China, while the West has never had (to my knowledge) any guiding principles used to that extent over so many years.

I feel that architecture in the West is largely used to express power, money through aesthetic taste, and a largely masculine feel about them (columns, boxy, heavy) while traditional Chinese architecture also expresses power, money, etc. but with the added feminine side (curves, light, etc.) of spirituality and nature.

Churches and cathedrals in the West express spirituality too, with stain glass windows to let in light, towering peaks that reach the heavens, etc., but I feel they work against nature rather than embrace elements of it. In summary, the East and West’s relation to nature and gender is shown in its ancient architecture.

Moving forward, Chinese architecture of the past and present have their similarities and their differences, depending on what type of building and where it is. If I’m going to be general, I’d say that the contemporary architecture in China lacks character, but that is largely the case across the world due to tight budgets and changing aesthetics.

On a side note, I was very pleased when I wondered down a residential alley to find rows of old houses to photograph. A man asked what we were doing and when we said that we thought they were beautiful, he laughed. “They’re not beautiful! They’re horrible!”

To someone like myself who had never seen or lived in anything like this before, the buildings were alluring and visually exciting, but to a resident they were dark, unsanitary abominations. I’m sure if I lived there, I would think the same. I can understand the appeal of contemporary buildings when one compares the living conditions of an old building to a new one.

On her second photography-based blog, The Black Beret, Nell introduces the photos:

During my two weeks in China, I surprisingly only visited one temple. The one I visited happened to be the city of Dongguan. It consisted of many buildings within a walled enclosure in a park. I found [the old] section the most interesting from a structural and aesthetic point of view — wish I knew more about it!

Throughout my travels through China, I found myself mesmerized by the residential doorways I passed. It is partly due to the colourful signs, but it is more than that. Doors separate the private from the public, the seen, the unseen, and one way of life to another. Here are photos I took of the doorways and living quarters of a temple in Dongguan, China.

On behalf of the team at The Nanfang, I thank Nell for sharing her thoughts and impressions on Dongguan and its temples.

Photo credit: Nell Chitty

The post Is it worth visiting Dongguan? A Toronto-based designer says absolutely appeared first on The Nanfang.

China Daily notes the festival will open in October:

The 10th edition of the festival will host a variety of activities like exhibitions of 100 ancient sexrelics, sexology forums, and lingerie catwalk shows from October 6 to 8, with organizers hopingto attract visitors during the National Day holiday.

Zhu Jiaming, deputy director of the organizing committee, said the event will also feature twophoto exhibitions of AIDS-related subjects designed to present the spread of sexuallytransmitted diseases.

That all sounds very cultural and high-minded, but the reality might be a bit different. Alex Hofford, a renowned local photographer, attended the event in 2009 (his excellent photo album from the event is here).  He seemed to indicate there was less “culture” in the Sex & Culture Festival, and a little more of the “sex”:

Ostensibly, the expo is supposed to be about sex education, but somehow over the years it has degenerated into a perv fest. The biggest draw for most fair-goers seemed to be the ‘lingerie show’, where middle-aged men appear to be the main demographic.

Middle-aged men, who, strangely enough, came equipped with a wide variety of cameras, hand-held mobile devices and camera phones.

As one progressed through the sex education area the items on display got stranger still. Large posters of naked women’s bodies, cropped at the head and the knee. The whole series was on display. Photos of human females. All in a state of undress. From the cradle to the grave. Each snapshot of a human female taken at one decade intervals from birth, the saggy boob poster above being the last in the series. The full series, not seen here, includes large framed posters of material which could be construed, in some circles, (Interpol?), as child porn. Now I’m a huge advocate of press/internet freedom, but I have to draw the line somewhere. I will most definitely not be posting photos of people looking at large photos of naked children here. Then the exhibition got even wierder, as if that was possible.

You can read Hofford’s full take here. (Adam Minter, a freelance reporter based in Shanghai, also blogged about the 2009 show here.)

Regardless of its lewd nature, the event is popular. Organizers say more than 3 million people have attended the festival since it launched in 2003.

Anybody interested in being The Nanfang’s correspondent/photographer for this year’s event?

Our own Danny Lee went to last year’s Sex & Culture Festival, and took the photos below:

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Shenzhen in 1980

An American photographer has inspired nostalgia among Shenzheners after publishing photographs of the city that he took in 1980. Leroy W. Demery Jr, who was born in 1954, travelled through China between 1980 and 1983, and his first stop after entering the mainland from Hong Kong was Shenzhen, then a fishing village.

The photos were taken with a Canon TX SLR camera, using Kodachrome color slide film, ISO 64 or 25 which Demery bought in 1976 and still uses today. After being uploaded to Sina Weibo by a user named Xiao Chen, microbloggers remarked on the vast differences to the Shenzhen of today. User Dafeng Haishang remarked, “The last one seems to be of Luohu, but the others are all unrecognisable.”

User Hou Junmou added that the images bring him back to a time so distant it might have been a century ago. Another user named Cengjing de Xiaolu Hai Zai commented on how blue the sky was, how clean the water was, and how things have changed.

You can view a selection of Demery’s photos in the latest Nanfang Studio album.

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